In short, a work that should appeal to the OMD fans the best phase of the band (1980-1983, four brilliant albums, about the after we wrap times prefer to remain silent) thoroughly. The attached action Sound fragments can safely skip - remain bottom line eight songs and a half hour duration, which reproduces well the romantic-synthetic heart that beats in Mr. McCluskey and Humphreys Mr. still. Why Malcolm Holmes, who is a fabulous drummer actually, hardly used has (that's about 80 percent more likely dull programmed drum machine), I do not quite understand. In addition, unfortunately, the delightfully creaky played electric bass from McCluskey comes only two numbers are used ("Dresden" and "Night Café"). Too bad - even if, like OMD, the robots from Kraftwerk almost deified, one or the other organic moment would be well. The songs are all very typical OMD, was in a British music magazine that they are playing the same song for 30 years. Because what may be off, but has copied them to this day no one. You can quietly stoking a few more albums and a really brilliant late work - maybe they succeed again something like "Statues", "Messages", "Enola Gay" or "Sealand" ...
