Unfortunately not as good as its predecessors

Despite some really good title I do not consider this album for so outstanding like its predecessors. That may be because the music sounds a bit monotonous and let the lyrics miss the familiar of Westlife profundity. Another reason is that perhaps by the previous albums very high expectations screwed, while trying Marius Müller Westernhagen to comply with this album, but what he did not succeed as well as in the past.
Nevertheless, I consider it premature even from today's perspective, to speak of a creative crisis, even if I have to give other critics right that the big hit he feels like it actually no longer succeeded.
Nevertheless MMW remains an outstanding artist of recent German music history, the title of which I still love may sound.