Veni, vidi, vintage!

Taken from my blog:
It is the second studio album of the estimated word wizards called Dendemann (Daniel Ebel) since he is traveling solo.
Eagerly awaited, not least because his last piece of work was already published in 2006.
Kindly shortened Dende Although the waiting time to the next panel by unceremoniously tossed a live album on the market, as well as this publication could not quench the thirst for lasting Dende. So the cries of relief many diehard hip-hop fans were certainly existent, though hardly hear in the press.
Although is the big D for some time for hip hop at the highest level, a level that is hard to describe with the German language, a level which could ultimately mean Dende, but he came in addition to many other German rappers increasingly falling behind , One may be attributed to the large publication breaks that make it hard to have a presence in the media and to stay.
Yet he was never quite away from the hip-hop scene, after all, is his name (or his old band One, two) for classics like 'Let's be honest', which should still be many a household.
Now he is so, the 2nd string - Dende's Road Trip - Where does the journey?
Only way so much is already clear when one looks more surprised three after the first piece of the panel has found its way into the ear canal.
It says: "I check out, albeit late, I say goodbye parasites hotel."
So way. Path of Hip Hop. Get out of drawers, in which one no longer wants to be plugged today?
Dende has never made a secret of the fact, what he thinks of gangsterism in Hip Hop - not much. The measure appears to be full but now - in interviews he admits that it is almost embarrassing to him, today to say he likes to listen to hip-hop. To be lumped together with rappers like solid is a language tinkerers like Dende probably no good thing, a way he likes it even perceive as an insult.
But "every little d has a large ENDEMANN" it is not called, with him is therefore to be expected.
And settle. 13 pieces later, which is every listener the CD clear Dende has only one thing with hip-hop on his hat - his infatuation with the language. Boards 13 pieces, lumber, cut down and slog forward in the dirty sound of 80.er, Dende's voice rubs against the hard drums and finished by Vintage Gone. Cuts are missing (except for one exception) entirely, samples almost entirely. From Vintage Gone Hip Hop is no more.
From Vintage Gone is anger, is anger, and rock. "I let behind the house rocked, but swept clean." Can you sign. The album works. The songs go in his ear, and do not want to get out partout. You may find yourself repeatedly singing of "stump ist Trumpf 3.0" or "metaphor Than Leather". So music has to be.
What follows from this? To treat Maybe more commercial success for Dende, it would be him, he stood at last powerful overshadowed by the usual Berlin hip hop representatives.
Just what will happen to Hip Hop? If adopted itself one of the few remaining absolute quality guarantee from him it is not too far, Hip Hop to write the obituary. Dende joins the ranks of rappers who are fleeing from Hip Hop. Now he is with Jan Delay and Deicide somewhere where Hip Hop is not.
One is willing to say, which is again. But it is legitimate that the faith is missing in it. Hip Hop is music for young people who may begin with subtle puns and soft sounds little more and more. Expression of these dynamics is about the choice of Kool Savas at the best MC in Germany.
One has to accept that. And to hope that somewhere out there still anyone out there who sets out to save the level of German rap. As a Umse.
And what is left when we were Gone From Vintage? Lots of fresh quotations for Zitierer, puns, which are expected to make some word player envious, a new album Dende.

It may not, especially for fans Dende be his best, but all a comprehensible step and remains music. Music that's fun.