it was he who came in the early 70's the idea of an old bass as part of a renovation, and a string pickups to install a fifth (C). so he probably did not insignificantly contributed to the bass was pushed to the forefront in jazz.
Now, this here is a - in a good way - typical ECM recording.
Weber presented here chamber jazz of quiet, contemplative art and to the highest quality. with Paul Mc Candless, Rainer Brüninghaus and Michael di Pasqua he acts here on completely relaxed way, a number more beautiful than the previous. elegiac, moments of quiet beauty embossed music for the end of the day, where guests can relax ...
the sound quality is fantastic. the bass is a bit pushed to the fore, but that's probably at the wheel of a bass player too. otherwise the whole thing sounds on unemotional manner as chamber jazz is just sound. at originallaustärke plays the combo in the room ...
