Interesting, but this novel leaves an aftertaste ...

Far from "Metaphysics of the tubes, or Fear and Trembling" I still wanted to read, following the advice of a friend. Overall, I enjoyed relatively, it is read with a certain fluency, but it does not keep for proofreading!
As usual, Amélie tells a short story, intense and extravagant. Here she is the narrator, as in most of his novels, leaving us suppose that actually lived this story. At times, situations may be disturbing to others funny, but also pathetic and heartbreaking.
That's what makes the richness of this fiction.

What finally heckled me the most, it is the last ten lines of the novel - they are sobering! You can see many kinds of purpose.
In hot, like that, without thinking ... the first impression is an end in "fishtail".
As for me, I will see rather an introspection of what it might become in the future as a writer: there in the fiction of the novel, with its narrator reality, everything would rock for her, if she gave this form fateful filled reprehensible answers. This is where his thinking comes into play because this paper is stored in the passport, she does not intend to fill it again!

The background assumption of this thinking is that by acting as a terrorist it releases its literary straitjacket.

But keep in mind that this writing is once more a fiction inspired by his own life, because, yes, Amélie meets all these players, even up to receive them at home!