The album is very well produced. Here you could tell that more resources have been available. In previous reviews the increase in text quality is praised. A look at the booklet can help here. On some pieces up to five copywriters have abated. The question arises how much icebreaker remained. DHMW has largely adult texts and omitted coarse language or provocation. (Such as Amok, Welcome to nothing, bitch)
Hell have to wait is an average album for me and would therefore deserve three stars. The balancing act trying to keep old fans in the bar and attract new ones by 08/15-song is, failed in my eyes. Why, despite several months delay in publishing as much mediocrity has arisen, remains enigmatic. One point deduction is available for the environment:
The Eisbuben are old enough and had Unholy as a cautionary tale to make it much better. The previous music was good enough to open up even broader layers. Now there is, despite protestations otherwise full of PR machinery Price: Fan Event on the Zugspitze (at Unholy it was ne steamboat) which on closer inspection a PR release celebration for music journalists was. (Who with outstanding reviews thanked the well-behaved) In RTL2 one is the commercial break. Quick a few promo photos in Bravo-style. (Embarrassing) The site hurry even pimped. Everything is preparing for the media omnipresence. And the scene which kept faithfully for years the rod, dismissed as envy people and do-gooders. Oh by the way, to live to amuse about unholy and to make a parody and can then be co-produce the album of Henning, is a funny style. And as a Gag "Tears do not lie" to have the live program or to publish such pop and pop schmaltz seriously on an album, is an essential difference.