Lots of light and little shadows in Asgard!

Patrick Doyle is for a movie like Thor certainly not the first composer could to imagine, although he has composed Eragon and his musical note with incorporated even in Harry Potter, he's not your typical mainstream blockbusters from Hollywood composer. So vielfälltig Doyle also is ewtwas skeptical I was already what the Scot would compose for the comic book adaptation. The modern cinema sound for this type of film composers have created as room and Howard Elfman or in recent Jahrens and it would be at least interesannt which would make Doyle with the topic.

The music for the film by Kenneth Branagh is in so far as no surprise as she is very modern and suitable for a blockbuster, large and sumptuous created with the Londerner Symphony Orchestra recorded and provided with many themes and accents, the score consistently high quality and works very well thought out.

A very catchy main theme in the form of a slow big melody is used for the first time in "Prologue" and runs through the entire score, it also serves as a guide for the Thor character itself and the act is accompanied the topic sometimes by delicate synth accompaniment, but very harmonious harmony with the rest of the music. Again and again the orchestra flourishes in a wonderful diversity and it is bursting with creativity, a good example here is "Sons of Odin" - the strings in this piece are simply stunning.

What is positive notice further that the score very hormisch related, many small motifs combine alone the first 5-6 pieces together. Everything is harmonious and appropriate.

The action portion in the album is about half of what makes for breath enough space and so the faster pieces can look better, you will not be killed as a listener. In general, the action is in the music rather than the fine blade of the big hammer, the fun is always fortuitous garaniert. The love theme is very subtly times with strings, or only briefly alluded to the piano fairly basic but at the same time very effective and easy to listen to beautiful. "Letting go" and "Can you see Jane" are wonderful examples of this quiet tones.

Unfortunately, the score sometimes loses too much background music that is easy to inconsequential and determined 3-4 pieces provide just enough to somehow be relevant or an entitlement to have to be on such an album.

That does my enthusiasm for this album but hardly a crash. Doyle is a big beautiful Fantasy Core succeeded Composed with heart and mind, though very mainstream but in no case made available to poor.