Masterpiece of pop queens-esque

For some time now the fabric rustles of the most scathing comments for "happy few" who were able to throw an ear on the next QOTSA. To believe the rumor disk would be disappointing, soft, impersonal and yet I know. This is therefore with some trepidation quon slips the new offering of Josh Homme and his friends (among whom Dave Grohl, Nick Oliveri, Mark Lanegan (for the most obvious), but Alex Turner, Trent Reznor and the icing on the cake, Sir Elton John Fairweather Friends).

From the first track (Keep Your Eyes Peeled), the group also installs an unhealthy climate that fascinating and hypnotic with a slow, tortured and haunted pop. No doubt a technique to put off little adventurous listener, puisquimmédiatement after the group decided to caress the (listener) in the direction of hair growth in lemmenant towards greener pastures, evidenced most immediate melody I Sat By The Ocean in Dera doite line Vulagris. We find dailleurs lobsession for "robot rock" dear to men and his band, especially present on Era Vulgaris on Smooth sailing and rhythmic disco rusty. Never short on explorations, the book group The Vampyre Of Time And Memory, its melody on piano and synthesizers a title might suggest, by far, was Radiohead, while the refrain of My God Is The Sun naurait not odd at system of a Down.

The nonchalant If I Had A Tail, which intersect Nick Oliveri, Mark Lanegan and Alex Turner is undoubtedly one of the top of the album, with its refrain to the rhythm destroy new wave threatening. A future live obligatory passage, as Fairweather Friends, Wonder-esque pop queens where dOliveri voice sentremêlent Lanegan and Trent Reznor on his obsessive piano. The piano being told, by the way for lanecdote people, run by Sir Elton himself.

As usual now, washing last title (I Appear Missing) is simply sublime, to give you goosebumps with its long final digression all guitars (12 strings and slide) on the tightrope, definitely one of the most beautiful title of the group

For those who are still waiting indefinitely QOTSA redo a Song for the Deaf, this is still missed this time. By cons, those who, like me, keep I Never Came, The lost art of keeping a secret, "You Got A Killer Scene There, Man ..." Suture Up Your Future or River on the Road still snug in their playlist, this is the confirmation that they were expecting. Again Man and his cronies continue to do what they please, with talent, pushing even further the experience dune wobbly pop, shifted, demanding but infinitely captivating regardless BE fashionable or some chapel whatsoever. Today they are rare groups that can boast of producing original music so timeless and personal. An immediately identifiable music and very difficult to movable toward anyone else.

Without doubt the most homogeneous group of albums!

CREW.KOOS