Complete book and reading easy and enjoyable but do not bring much new to the favorite singer of French compared to many existing works, including the two already written by the same author in 2005 and 2008. I also prefer The first two books have the advantage of being pleasantly illustrated many documents beautiful pictures. It is true that this last book (with very few photos of the coup) gathers numerous testimonies, outdated mostly of people from the entourage of Francis Cabrel who coasted to debut until there is a ten years to the most recent testimony but attention, are very rare. So really nothing new for those who already know a little Francis Cabrel career, certainly of patients who live regularly since the past fifteen years. I should point out that I really regret the allusions of the author obnoxious and unfounded on the double life assumed Francis Cabrel. What good sert'il? What does this bring to the book? Alain Wodraska is very vague on these claims but exudes enough to impress by hiding behind the statements of witnesses he questioned, moreover not always clearly identified in terms of precisely those words. These hints will certainly actually occupy only a few lines, but they pollute the whole. They contribute nothing else to lash the trash press only about who gets these. Of course this sells behind ... I doubt the blow of the laudable intention of the author is saying that respects the artists whose biographies he makes. With his experience, he suspected that some of them would retain it and in the end it hurts the artist says he also admired. This is really unfortunate.
