Therefore, I was very skeptical about "From Vintage Gone" As for his new record. Clear had to beat technically compared to Change "The puddle of the iceberg" a lot since that aspect does not begin to match with those in my opinion still the best rhymes of the German rape.
The more they were excited about his new album and began himself to ask what possible way Dende would take for his album. The former symbiosis of Dende's eloquence and grandiose beats of bully no longer existed, which was more than evident. It just was not like before, it had to change something ...
Even the simple differently sounding single "abersowasvon" and the tour with the Beatsteaks were guessed that Dende had licked something Lautem blood. And so it was then: the beginning of February I first heard "Stumpf ist Trumpf 3.0" and thought to myself: "Dende, what are you doing"
But after repeated listening, the worm did not want to get out of my ear and had just looking for more of this stuff! The new style also let me think about the past and present and why I liked this music of Dende.
I remembered an interview by Dende, where the question was asked him why he changed over the years so. He just came on the grounds that any of his fans have been frequently invoked the off-beat storytelling LPs in his vinyl cabinet and he further develop musically. And he has just not developed in this mainstream Clueso direction, I am pleased in particular very, but this would also not fit to him).
So I was also at his first gig with his new album and band last week in Zurich and it was just amazing! Now I have to compare with the album recorded and it really is one of those who live to come across even better than on record.
Hard Beats Rhymes and fats, the best of Dende since dangerous smattering of knowledge and just he!
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