A good album to sound heard

If Marry the Night opens the album very well, very fast with everything falls Born this Way (but how can we pump a title and not assume later) and Government Hooker (very well produced but soulless).

Judas must wait (where Gaga pump itself) and especially the excellent titles that follow to discover surprises pop dance: Americano (Broadway as a fine product), Hair (simple and effective) Scheisse (eurodance tinted Madonna) and excellent Bloody Mary. The sauce goes down again, not that the securities are bad, but they affect fewer (titles surely headed for the US market). The album ends with the 3rd single Edge of Glory where Gaga makes us his Cher.

Finally, we see in this album all the inspirations Gaga is well produced but the heard. It is high time that it finds its own universe and refocuses it. We know she is a good musician (this album proves it), but it lacks the certain something to make it a very good album.