And as the roller comes ...

Into The Great Wide Yonder is different, but different. For the very first track picks up speed. He rears like a pyroclastic flow on, accelerated and buries the handset under the soundscape. A madness construct much says about the style of the album. Because not much is experimenting, here is each note forward line to something. Guitars are added, as well as the grand gesture. Also vocals are Dabei partially successful, partially not. "Sycamore Feeling" remains faded, because it does not follow a straight line. "Tide" does not fit with its chorus unfortunately the Albumkomzept and destroyed the mood, which according to "Neverglade" - clearly the highlight of the Albums- was built for me. Track 5, however, is wonderfully cranky.

Otherwise, there is still an ordinary shovel extra bass. This creates a strong dynamic that brings together the ghostly atmosphere of the last album with the seriousness of the current. This culminates in the Silver Surfer ... Did I Breakbeat recognized? Must have misheard well ...

A compositional length is also noticed, at the end of the third track. Otherwise, however, makes the album incredibly mood. I just returned from a one-hour trip through Kopfkino- worlds. Alone for the hypnotic attraction that develops Trent Emol moth music repeatedly, there's just so 5 points.

I'm looking forward to the sequel. The verily cometh in 2013 :)