Story: content provides "demon of revenge" is not really anything new, rather well-known in a new, harmonious look. Demons, outlandish name, runes spell circles, an astral society and more draws the listener into a mystical spell. In another review the wealth of material that has already been processed Hendrik Buchna here criticized the radio play by acting overloaded. I can understand this quite Anscicht if I do not entirely share. For the author, and the makers of the radio play manage to combine everything into a coherent whole. This result can be compared with the classics readily from the construction, most likely, perhaps similar episode 32 the ants man. Because both times played by the vast majority of Geschihte on a property + environment, both times come some characters before (The number is comparable) and also the amount of the offender both times comparatively high. Go content both sequences but completely different ways. A negative point is that here again the typical Hendrik Buchna problem occurs. He manages to play to develop an exciting and engaging atmosphere, but the voltage peak is much too early. In this case, track 5. This is no longer be beaten in the final.
Implementation: Once I had to complain about the lack of implementation at Eisenmann I can say that I'm really pleased this time. Although the book has the direct comparison is still ahead, but the qualitative difference is relatively low. It was cut in the right places, so a couple who also was in the book to the suspect has been deleted, for example, what the understanding while listening is good. Some other rather unimportant places were not taken. The "Monster Night" (Track 5) is not quite as well done as the two corresponding chapter in the book, but this track has long been the best in the three ??? - radio drama series.
The entrance to the radio play is relatively weak as a result already at 172, the hot air balloon ride is extremely poorly staged and made me suspect already evil. Fortunately, this idea was not met and then folds over the Geschihte the soundtrack with sounds good again. The speakers are all this time Erstklassik and tailored to the excellent to embodying characters. Also in the previous reviews often criticized spokesman Luke has pleased me very well. His voice may be partially true really annoy some, but that there was in the classics as well (Just think of Ted sequence of 13 or Jeremy result of 34, which was to completely unemotional yet). Daniel Kirchberger proves but up to one or two sentences, a very great talent and delivers a great performance from. There are also very striking voices of Lutz Mackensy, Udo Schenk, Aranka Mamero and Christine Jensen highlight the best. The three main actors are wonderfully placed, especially Oliver Rohrbeck know by its weaker performance resulted in 172 to convince consistently.
Music: The only real criticism of the implementation. Had the iron man nor a suitable and especially gorgeous standalone soundtrack has this time often resorted to well-known, which is basically not bad indeed, but unfortunately it has thereby also used meaningless pieces, and then partly used in the wrong places. The one or two new pieces can not convince very well, despite good approaches.
But just the creepy places were usually backed appropriately so that nevertheless comes a good atmosphere and you can feel a pleasant shudder.
Conclusion: This series is not suitable for them to listen to sleep for the first time. Because you have to follow the arguments, first, and second, it is at times too scary to serve to fall asleep. The reaction time were good, with a slight increase in potential, but already much better than the iron man. Therefore, I give 4.5 stars, making rounded. 5
Outlook: the producers are to raise the next episode to an acceptable level to surpass themselves, because, unfortunately, is good for the submission of Marco Sonnleitner (and I have nothing against this grundsätlich author) "... and the cloth of the dead" not unfortunately lot and has neither stress nor excessive content to offer.
Since the makers have a lot of work to do.