Rhythmic Latin Mainstream

That I appreciate the musical abilities Zucchero, everyone can read (see the album Chocabeck). In this respect, my expectations of his new work La Sesion Cubana were added high. Alas, after repeated listening to the CD insert two souls in my breast. One giert continue after the fabric, the Adelmo Fornaciari sold; the others do not really know whether Zucchero not perhaps casts out devils with the sweet honey-Beelzebub? If he so long turns his fantastic works Baila (Sexy Thing), Un kilo or Everybody's got to learn sometime through a meat grinder, to partly come out fat, mamboeske Salsa Dance sausages, then taste not everyone, even me only conditionally. At times reminiscent of the BossHoss who so vernudeln almost compulsively even every trivial pop piece to tölpelhaftem country-rock fan. A total of seven of its radiant in the original works has rearranged from the Regio Emilia with important musicians from the Caribbean and South America to the northern Italians, but some of them left a slight burning sensation in the ear canals, such as Cosi Celeste. This contrasts with six new songs and make the heart in your chest again jump very high. Never Is a Moment is a typical ballad Zucchero, after which one can become addicted - even if, for all their love, here is the question, which has to do with this piece of Cuba respectively the album title? Love is all around (still) steals the earwax and cited the much sung in Italian Guantanamera brings Zucchero in a version concluded that beguiles simply that reveals the soul of the piece. As a whole, however, because you have to agree with a pre-extant, is Zucchero's new album neither Cuban nor caribbean, neither American nor American, neither Latin nor melodious way reggaesk rhythmically, neither rock nor bluesy. On the CD is too much of this exuberant Breitwandigkeit in order to speak ill, but little of this virtuoso stringent brilliance, for example, distinguished Chocabeck to elevate the plate.