Originality? Out of place.

Each year brings a new DSDS winner (winner unequal Superstar) out. The stage show is this gigantic, the Jury to year than ever ennobled by year as harder and Dieter Bohlen still hyped as the largest producer in Germany. If you consider that the legend (etc. eg Xavier, Stanfour, Ich + Ich, Jan Delay) has produced for a decade until Yvonne Strahovski, which already dates back seven years not a single German top artists what the few years earlier also rather sparse failed, and operates exclusively in the casting industry, it is more than a sheer exaggeration. You can also laugh at the facet richness of the musical performances of the consignment. The motto shows have become such a meaningless and interchangeable, so that everything sounds the same anyway. The big band version (most recently in 2007) corresponded well, as well as excursions into rock areas, not quite the Bohlen-style. In addition, the candidate of the last two seasons have to be always supported the luck with their performances of professional backing vocalists thus to cover up any deficits in the chorus section.
Every year, new hope singer because singers come most into the finals, but to storm longer than a maximum of one year, the charts and tips to stay at the center, which so far only two worked (Klaws and Medlock). Were it not already the new auditions at the door as soon as the winner single was released, perhaps it would also be realistic. So hardly.
DSDS anno 2011 brings both musically and visually (!) Nothing original shows. Pietro is the 2010 third-placed Manuel as the spitting image. Although missing the Ohring and a penetrating grandma, but there is a bald, which is hidden under a skillfully Sport Cap (One trains ever before, if you're 50 times.), Sportswear and Eloquenzdefizite. There are also ... very, very average vocal talent and vocal color, which barely above the level of the front man of a local cover band, the content on our public festivals, go. This he must put in a song to prove that also is not new in American Idol. That Bohlen now seem to assume the ideas and an older man who barely has worked up to the talent shows in his actual profession, absolutely can not compose for singers aged his grandson (he is not Trevor Horn!), He has to appear the ideas of others operate, with the hope that no one would notice. Too bad that one Republics Marchin 'On, the Call my name sounds more than similar, if only a big hit was in this country because of the World Cup last year. Sad and embarrassing.
Hopefully Pietro will open its time at American Idol one or the other door and its future if, turn out in the music industry or not hopeful than before. However, it should not surprise us if it would fall into oblivion after the summer, like most of his predecessors, as Germany and Dieter are then looking for already the new superstar (and previously a Super Talent).