So some will wonder ...

... What deeper meaning and benefits review and blogging may lie well. Now, for the user can be difficult to judge the - the ultimately you do not know. For anyone who writes, the case is clear: It is certainly not stupid here. And that is especially true of the special cases in which one, almost no clue has of the things that need to assess it. Example: Gil Scott-Heron. When you're back from the Content Fishing, without which one can not survive honestly, we know that this man plays definitely in its own league, and is not Kreisklasse. One must therefore not my theory that his team is staffed by storm with relatively young Grandmaster Flash and Afrika Bambaataa share. One thing is certain, Gil Scott-Heron is a large, one of the already inspires respect alone by his presence, therefore, as they rarely are in the fast-moving music business. The disc title can certainly be understood in more ways than pure understatement - either he flirts with his age, his experience in the circle of young, ambitious soul, jazz and hip-hop scene, or he thinks actually, with his kind of music understanding as much of the time being that he once reorient itself, as it must re-register in the world of attitude, coolness, perfectionism and glamor. The current board has in any case with his earlier songs like "The Bottle", "It's Your World" or "The Revolution Will Not Be Televised" only limited similarity - I'm New Here "presents itself as dark as Scott-Heron's past . itself, an ominous throbbing and extremely fascinating mix of Poetry Slam and Slum Poetry Everything seems "stripped to the bones" - sparse, limited to the bare minimum and all that still has soul, a lot of soul, each of the short stories, Interludes, which. the short songs frame, the pieces themselves: The barmende "Me And The Devil", the gently plucked theme song, the sad blues of "I'll Take Care Of You", as the gloomy chanting in "Your Soul And Mine". "New York Is Killing Me" seems written by bone man himself, "The Crutch" consists almost entirely of a few drums and a rather helpless melody But that's what makes this record so appealing is just -. it has absolutely nothing attractive, nothing anschmeichelt be or wants to look beautiful and pleasing. Yet producer Richard Russell has managed what Rubin did to cash, he lets him touch and keeps it so at this time. 28 Minutes, what need another year. Consideration.