After the - but sometimes very destructive - reviews I initially made a bow to the album. "The weakest album of The Verve," said the cultural section of SPIEGEL online for long-awaited sequel to "Urban Hymns" of 1997. Sure, "Urban
They were times at least as big as Oasis or Blur (then in 1997 with "Urban Hymns") - but after the separation of the band, respectively the guitarist Nick McCabe and egocentric Richard Ashcroft in 1999 was not much of the glory. Ashcroft made a
To make story short: Here is dug deep into the psychedelic box and celebrates profound, chilling and yet wonderfully melodic, original and challenging music that inspire the fan of groups like Porcupine Tree or archives. However, a Touch "Coldplay&qu
I rate this album here as "The-Verve unlearned", which so far had only the best of album of the British. "Forth" has great strengths, but also occasional weaknesses: "Sit And Wonder" is a successful opener with a dark, entrüc
After 10 years of abstinence to The Verve is back. And fortunately is "Forth" has not become "Urban Hyms" offshoot. The album sounds fresh. I would rather describe the musical style as a mix of the three previous albums. The lyrics are
In this album is not about individual songs, which are reflected in the trendy ear. Rather, this is a concept album. No album this year has managed to use all moods. "Heaven and Hell" is my résumé !!! That's not a comeback, but a closing of rank
